BARBIEOLDNEWGREENREDO--JUST A GRANNY HAVING FUN WITH DOLLS< DIORAMAS STORIES AND DIY

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Showing posts with label 1:6 dolls. Show all posts
Showing posts with label 1:6 dolls. Show all posts

Colette's Photo Shoots: Experimenting with basic Lighting, Editing, and Doll Posing.


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This time of year with gardening, I don't have a ton of time for the dolls, but I have taken some photo shoots with future projects in mind for some blog fodder.

Today, I 'm going to compare some photos and tips on posing, lighting and editing for your dolls.

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Colette is the subject and this is an un-edited photo from this session. 

This is what I will building on in this post.

I'm far from a professional photographer, nor do I have professional equipment. I generally use an old camera that I have to pull out the card and load it separately on the computer. My methods are trial and error, but by looking at all the photos in order, hopefully you can see some progress and improvements.

When I had to replaced my 2012-IPhone---we upgraded to a 13 something...which has an excellent camera and uploads almost instantly to the Cloud and then to my computer for storage and editing.

This is so-o-o convenient!!! that my camera is getting dusty.

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The backdrop is a flawed piece of silver matte poster board and the floor is a satin stickum covered foam core from $$store.  Lighting is controlled by two (small) gooseneck spot lights and occasionally a white piece of foam core to bounce and deflect the light. The stand is an issue I will have to address in editing.

This angle is too low---and her figure is distorted. Then I took more photos and different poses with the subject looking at the camera with sidelights---no editing.

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The highlights on the arms are distracting, I like the shadows on the right...so I clipped out the frame for her face to be in the top left quarter of the page, below.

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Here is the my editing program...with the basics. I use the retouch at the bottom to make a circle to erase flaws or soften the highlights. I seldom use the color variations as my lights are all pretty accurate for real time color unless I have to increase exposure, then I up the saturation a bit to make up for the washout.
 You can make photos moody with any or all of those selections of saturation, vibrance and cast as well as shadows and contrast. After playing with these you can always revert to the original. 

If I like a variation of editing, I screenshot it and it becomes another photo, I can then revert to the original and begin again.

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With the RETOUCH I edited out some of the distracting highlights and softened the look, leaving her hair as is.  I often soften the joints of my dolls to make them more realistic. I reduced exposure and increased the black point which sharpens everything. Increasing the contrast is more severe, so I didn't use it on this photo. 

For composition, think of your photos in quadrants or thirds, and avoid placing the subject directly in the middle for portraits if possible.


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Here Colette's head is at a different angle, with her face above the center. I carefully edited arms and softening the highlights on her hard plastic limbs.  Colette's face is lightly textured so glares are softer on her face.

 I left the highlight on her nose as it defines the angle of light in the photo. Again the shadow on the right is interesting from the soft side-lighting from the mini spots. 

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The final photo with the lower left erased and the stray hairs and stand elements erased. It's pretty dreamy...actually for her.

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I tried this dramatic pose side angle and did minimal editing...except for size and exposure. Eh...not that emotionally interesting. As a viewer you are disconnected from the subject.

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I usually prefer my dolls in a realistic setting, but Colette is doing these for publicity shots and an album cover.  Editing only on her limbs and highlights. Unfortunately the stand is showing...so I could edit this down for the face only.

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This is a simple screenshot edit on the photo above. Here the shadow definitely adds mood.

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unedited original 

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Lowering the camera this is a better shot of the above. I managed to make most of the stand disappear. Stray hairs need to be edited out, honestly I don't see them when I'm setting up...what a pain...love the body shadow on this one.


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Change the tilt of her head, cleaned up and liking this photo and the echo of her body in shadow.

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Now, I have a few good finished photos to select from.

My photo program is the one I have on my Mac...and my photos come from the cloud, I keep files of them on my computer also and save the edited photos for my posts in labeled files on my computer. I find the photo files in the photo program more complicated then finding the duplicates on my laptop. 

Gosh, if you have any specific questions or vague ones even, I would be happy to answer them. The next post I will show some other creative features of editing portrait photos, and I will be using Colette and one prop. 


DO YOU PLAY WITH YOUR DOLL PHOTOS? 

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I have not been paid or reimbursed in anyway for my opinions or products shown, or from where I shop. 
















Wedding Reception: Part 3 Cake and Dancing!

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Wedding Reception: Part 3

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Monnie R (Bride's Mother): Oh, honey, rub my feet, I don't think I've had heels on in two years. 

Sandi BL (Groom's Mom): When your done, Todd, you can rub mine, please (chuckle!)

Todd: Well, I don't have four hands, well I need one more to hold my beer.

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Sandi: Look, they are putting out the cake.

Mulan: Oh, my it is gorgeous---just like Richelle wanted.

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Sindy and Jamie from the Patisserie in the GrandView just brought in the cake.

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Jamie: I'll go get the coffee ready to serve. 

Sindy: Thanks, I'll get them to start their photos for the cake. 

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Monnie: That looks delicious!

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...I think that is just what she wanted.

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Todd: MORE photos...I'm glad I'm not paying for that... .

Sandi: Oh, the kids sure look so cute...!


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Ryan: So what do we do...now? 

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Richelle: Well, we hold hands and cut the cake together and then we feed each other a bit from the first piece.

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Richelle: Now you have frosting on your cheek! 

Ryan: You have some on your nose...gosh, I love you!

Richelle: I love you, too.

(music playing "A thousand days, a thousand days...")

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Monnie: It's almost over, how about one more dance, Honey, without my shoes! 

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(The band kicks up a fast one---and the younger bunch give it a go)


Carly joins Bestman, Jeffery.

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Richelle and Ryan can swing with the best of them.

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Ryan whispers: Want to leave soon...?
Richelle: Definitely...now?



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Jeffrey: I think the happy couple is trying to sneak out.

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(The band switches to a slow dance, and couples pair off)

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Lucas: Thank you everyone for being such a great audience. Last dance Call.


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Everyone joins in for the Last Dance

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Ryan and Richelle sneak out...

The Wedding is over...I sure hope 
everyone had a good time!

Author's note:
    After 18 months of not having family gatherings, 
(my dolls' world, too.), this wedding was so much fun to do and share. Thank you for all your comments and encouragement. 

I'll still do a few tutorials...but this is the end of the wedding. Everyone will hopefully enjoy the memories. I hope your dolls and real life can enjoy some normalcy now.  

Thanks for viewing and feel free to ask me any questions or inquiries. I'll be doing a tutorials on the StoneWalls venue and the wedding particulars, soon.

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Friday Night Fights?

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It's Friday Night, and the city is opening up. Outdoor dining is allowed with masks and social distancing. 

Ian and Lara are embarking on a 'date' for a hotdog in the park. 

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Lara: Hi, Ian. I think it will be great to walk in the park, thanks for asking me. And, who can resist a Chicago Dog!
Ian: Sure feels strange doesn't it. I don't know if I should assist you walking down the curb or not. And, your mask is slipping. 


Lara: I'm okay, we will just have to keep at a distance. Blue's a great color on you!
Ian: You, too. I like that you are smiling, (chuckle.)


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Lara: (This is worse than my first date in Junior High). 
Ian: (Awkward---MUCH???)

A couple of hours later, the lights are down low in the lobby and Ian sees Lara to her door on the second floor.

Lara: Would you like to come in, I have some desert  for us.
Ian: Sure, when do you find time to bake?
Lara: Don't be silly, I live above a bakery. 

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Ian: Nice place, small but really nice for a studio.
Lara: I hardly notice, I always end up in the last unit in a project. This is my sixth one in almost three years. Most of my things are still in storage.

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Ian: That must be hard to do, keep moving all the time.
Lara: Cream or sugar with your tea?
Ian: Neither, this desert looks really good, is it Sindy's? 


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Ian: And you have piped in music in the building?
Lara: No, I think Colette has music on, not her usual though. 
Ian: Is that from Phantom of the Opera...pretty dramatic.

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Lara: Strange she usually has Blues or quiet Jazz on. Now, it seems to be louder, and "I Will Always Love You." Whoever. is playing the piano is quite good...and now slides right back into another Phantom song. 

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Ian: Music and desert what could be better and with a beautiful girl! 
Lara: You are too kind....

Across the hall, Colette and Emilie are trying on clothes purchased at Vickie's Vintage. 

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Colette: Dees ees too short, or dees legs are too long. Zees fits on top, though! 

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Emilie: I luv this jacket, how about this one?
Colette: I vill try zees fleur abomination, first.

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Colette: I like the top, but dees needs more skirt! Vat ees dat music. Lara must be playing it...very loud! You try one, Emilie!
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Colette: 'Tis not my legs are too long, yours are also, Ha!
Emilie: I love the colors...and it weighs nothing. What else should I try?

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Colette: Uh, oh, zat ees a stand frock...not for bending over! Goodness that music...Phantom theme...from the Paree Opera House... oh, I miss Paree, and...."
Emilie: We will have to ask who the artist is ...very nice piano...reminds me of..."

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(Colette waves and motions to Laura to turn the sound down).



Lara: That's strange, Colette is motioning me to turn down the music? If she's not playing it, where's it coming from? Excuse me, I'll be right back I need to check and see what was left on, downstairs.


Lara: Oh, my, there's a Grand Piano in the lobby and a man playing it? Hey, YOU! What are you doing in our Lobby?

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Man: Mumbles, "I'm playing to heal my broken heart."

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(Runs his fingers across the keys, up and down...then bangs into ...

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...some Stevie Wonder....)

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Lara: Where did that piano come from and who are you? I'm coming down there now! You are trespassing!

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(Pounding out Count Basie)


Suddenly Man sings: And, I-i-i....will always love you--hoohoohooo, I"ll always love you...bittersweet memories.....(more piano playing)

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Lara: Please Stop! 


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Man: Fini!
Lara: What is this piano doing in our lobby, and who are you?


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 Lara: I will call 911.
Man: And what say I'm on Fire! Yeoooow! 
(pounds the keys---"Goodness, Gracious, Great Balls of Fire"
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Colette: Get out! Be Gone! I will....
Ian: Be careful before you go over the rail!

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Colette: Gerard, you vile, horrible human, no zee ees not human, you're a DOG! 
Ian reaches for her as she throws ....
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Colette: Gerard, Leave me alone....!

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The wig lands on the Man...(Gerard)

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Gerard: My beautiful sweet, I will bring you my love and your ...hair. 

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Lara: No you won't. She has clearly said you are not welcome, and as far as I'm concerned you are trespassing and that piano needs to be gone, by morning. Do you understand?

Gerard: Another beautiful woman banishes me. Sigh, what is a poor piano artist to do? I imagine, you would love to hear Rachmaninoff, perhaps some Ravel, I will play just for you....!


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Lara: And remove that piano in the morning, or I will have it removed to the alley!

(Gerard disappears into the night!)


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Lara: He is gone for now....who is he?
Colette: My manager and... from Paree. I will take care of him, I will call the police.
Lara: Well, we really don't need to do that, but I can have security here in five minutes if need be.
Colette: I need to be alone now. (She leaves and slams the door).

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Ian: Well that was an end to an interesting evening? 
Lara: Sorry, I'm always on duty when it comes to this building. I guess we should end tonight. Now, I have to make arrangements to have that piano gone by 7 AM before the shops open.
Ian: Sure, understand...maybe we can try this another time. 
Lara: Sure...take care, and thanks, Ian...it was really  nice.



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Colette: He is impossible! 
Emilie: Maybe he brought your wardrobe trunks.

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Emilie: You knew he wouldn't give up...!

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Colette: I will never take him back...never....(sobbing...and wailing, and...)

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Lara: Piano movers will be here at 6 AM double-time on Saturday. I guess that was a good date..for a 'masked' date. Now, I really don't need to have a second piece of cake...but, what a day!
How did Gerard know, I simply love Ravel...?


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